Black Nativity Logo

Black Nativity Logo
Logo Created in 2005

Black Nativity

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Norfolk, Virginia, United States
Since 2005 Edutainment Productions Inc. has promoted produced and presented Black Nativity in Hampton Roads. The production started at the First Baptist Church of Lambert's Point where it gained local popularity and wide spread community support and recognition. In 2007 the production moved to the Historic Crispus Attucks Theatre, located at 1010 Church Street to continue it's community involvement and grow, reaching artists and theater goers alike through out Hampton Roads. Our plan is to continue this event annually for years to come and your help and support is needed.

Sunday, September 29, 2019

 
Three Divas – Bessie, Billie & Ruth
 
Featuring:
Jacqueline Murphy as Bessie Smith, Erika Grandison as Billie Holiday, and

Dawn Beard as Ruth Brown.

The Band

Conductor, Keyboards -Kasey Square; Drums- Boo Britt,
 
 
Powerful music for Black Liberation

In the classic book, Souls of Black Folk, W.E.B. Dubois relates a story about the origin of the song “Nobody Knows the Trouble I’ve Seen.” The story goes that, when a certain brigadier general was assigned to the Sea Islands on the Atlantic coast, upon telling the Black inhabitants that they were going to be denied the land they and their ancestors had long cultivated while suffering under the lash of brutal slave masters, the Black women began to sing this song that has been a staple in Black musical culture since then.

Blues music was born with the field hollers and work songs. However, shortly after slavery was abolished, there was a sense that justice long delayed would bust U.S. society at its seams. There were 4 million Black people in the country and that power could not be denied, nor held under foot any longer.


To understand what led to the Civil War and shortly afterwards would take a great deal more investigation than what is taught and upheld as fact. The truth is the abolishment of slavery was the beginning of a revolutionary process that was carried out by Northern capitalists and their Republican Party, and a small fraction of Northern Democrats that split from the Democratic Party. Yes, the Democratic Party was then the party of slavery.

After the Civil War, when the evils of chattel slavery ended, a new form of slavery began for Blacks. During Reconstruction it seemed that a genuine revolutionary process was underway. But the Northern Republicans joined with the old Confederates, much as the Allied capitalists joined with former Nazis after World War II in a bloc against the Soviet Union. Northern troops were pulled from the South and the promise of Reconstruction was overthrown, and the rise of the KKK began, with peonage laws and sharecropping that were both a part of de-facto slavery. Also, Jim Crow, a most despicable child, was born of this era.

Hence, “Nobody Knows the Trouble I’ve Seen,” and the blues music from Black people, of which Alan Lomax wrote,
 
“…But it was the Black African, highly rhythmic, collective and improvisatory approach to music-making that clearly sparked most new developments.” He was talking about musical developments, but culture is a reflection of human movements and what is happening at that particular time in history.

Lomax collected many blues traditions—from the hellish conditions in prisons like Parchman Farm in Mississippi, and Angola in Louisiana, and in the Delta region. Prisoners on chain gangs—the brutal work crews of prisoners that produced huge financial gain and are being seen again today with the booming prison industrial complex—many of whom, criminalized for being poor, sang work songs. One of the songs Lomax recorded in 1947 was “The Murderous Home” at Parchman Farm. The song starts, “I ain’t got long, I ain’t got long in the murderous home… Lord, I got a long holdover and I can’t go free.”
 
It was in a prison where Leadbelly, a blues great, emerged and later went on to lament “Bourgeois Blues.” Another famous blues song is Billie Holiday’s “Strange Fruit,” which tells of lynching down South, where the terror of the KKK was an everyday occurrence. The realities of Black life in the racist South led to Willie King and the Liberators to pen and produce the song “Terrorized” in 2003. In “Terrorized,” King, an older Black man from Mississippi, shows the hypocrisy of the current so-called “war on terror.” He laments, “You talk about terror/I say you talk about terror/I’ve been terrorized all my days/you know they hung me from a tall oak tree/they castrated me/did anything they wanted to do/I say you talk about terror/people I’ve been terrorized all my days.”


They’ve Got A Right To Sing The Blues!

"…Let the blare of Negro jazz and the bellowing voice of Bessie Smith singing the blues penetrate the closed ears of the colored near-intellectuals until they listen and perhaps understand…."

 — Langston Hughes

Production Available for Bookings!
(757) 323-0302


Saturday, August 14, 2010

The Attucks Theatre, Our History

Rappers, Singers, Dancers, Writers, Fashion Designers, Photographers, Graphic Designers, and every creative being should be a part of this day.

On August 31, 2010  Any artist who has ever approached the Attucks Theatre with a community oriented project and was turned away need to be here in support of this presentation to the city council. 
There is a great need for a facility that will work with the community and allow for productive and creative exchange of ideas, while nuturing young creativity and educating the community at-large.


Your help is needed and your presence will be counted and documented so please take part!


August 31, 2010
7:00 pm
811 City Hall Ave  
Be there!